You need bring to a vaudeville theatre nothing but the price of admission The author-as you imagine him, and as he isĭanced before a statue of Antony until it bit her Lady Macbeth swore that he grew during the performanceĪ playwright whose stock has soared a hundred points in a single evening Gillette flicked the ashes from his cigar ![]() Thought seems as material a thing as a handball The first time the director has seen themĮnsconced in a swing and two silk stockings The Great White Way is a recumbent letter I It is very difficult to identify a good playĮugene Walter was lodging upon a park bench Sometimes things really do happen to actors Wherein the author considers comedies of manners, and players who succeed illy in living up to them Wherein is shown that the opening of a new play is more hazardous than the opening of a jack-pot, and that theatrical production is a game of chance in comparison with which roulette and rouge-et-noir are al as tiddledewinks or old maidīeing inside information regarding a kind of entertainment at which one requires intelligence no more than the kitchen rangeĬoncerning Camille, ice cream, spirituality, red silk tights, Blanche Bates, Thomas Betterton, second-hand plays, parochialism, matinee girls, Augustin Daly, and other interesting topicsīeing an old manuscript with a new preface-the former dealing with a lost art, and the latter subtly suggesting who lost it Roberts at their own game-which is speaking literallyīeing a diagnosis of the disease, and a description of its symptoms, which has the rare medical merit of attempting a cure at the same timeīeing an account of intrepid explorations in the habitat of the creatures whose habits are set forth in the preceding chaptersīeing something about the process by which performances are got ready for the pleasure of the public and the profit of the ticket speculatorsīeing the sort of title to suggest a treatise on suicide, whereas, in point of fact, this chapter merely confides all that the author doesn't know about acting Wherein, at union rates, the author performs the common but popular musical feat known as "blowing one's own horn"īeing a correspondence school education in the business of the playhouse that should enable the veriest tyro to become a Charles Frohman or a David Belascoīeing reminiscences of the author's nefarious but more or less innocuous career as a press agentīeing a discussion as to which pursuit is the more painful, with various entertaining and instructive remarks as to the method of following bothīeing an effort to outdo Ernest Thompson Seton and Charles G.
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