As they parry, Malcolm and Marie tell us who they are, how they met and what they expect for this relationship to survive.įrom the moment they arrive at the designer beach house the production has provided, Malcolm is worked up, but it’s easily apparent that Marie’s not on the same wavelength. ![]() These two aren’t performing for anyone but each other, and Levinson has been extremely clever in folding the exposition we need into their argument. ![]() The result is like Edward Albee’s “Who’s Afraid of Virginia Woolf?” minus the booze and the cruel mirror a second couple provides. It’s “the biggest night of my life,” Malcolm believes, and we observe as they alternately appreciate and abuse one another, making love and war as they test and tentatively reestablish where they stand. Virtually everything that takes place over the next 100-odd minutes reflects a similar level of intimacy, as if Levinson is permitting us to share something incredibly private with this couple. That dance between exhibition and self-examination lies at the heart of “Malcolm & Marie.” Levinson understands that acknowledging the call of nature on-camera signifies authenticity, even if such “realism” is just an act, suspended in air quotes. The inclusion could hardly have been a casual decision on the director’s part, and yet, it serves to establish an immediate sense of familiarity between the audience and these characters. This is not a common sight in cinema, nor is it handled in a vulgar way. The camera is polite enough to remain outside, but gazes in as she adjusts her pantyhose and does her business. She heads straight for the bathroom, leaving the door open behind her. Instead of getting ready, Malcolm ( John David Washington) and Marie ( Zendaya) have come home from the premiere of his latest feature. Shot in beautiful high-contrast black and white - on actual 16mm Kodak stock - by “Euphoria” DP Marcell Rév, “Malcolm & Marie” opens at the other end of a swanky soirée. Now, I can’t say whether Levinson was thinking of Kubrick with the movie’s opening, but the chances are good, considering how film-literate Levinson is (the son of “Diner” director Barry Levinson, Sam is the visionary behind HBO’s “Euphoria”). Not too shabby for a film dashed off and shot during the pandemic. Two decades later, Sam Levinson has written and directed a movie about a different couple, “Malcolm & Marie,” and while his project isn’t nearly as ambitious as “Eyes Wide Shut” in theme or technique, it feels every bit as raw and honest in exploring the fissures in a relationship with a bit of wear on its tires. Kidman stands, she wipes and they go on with their preparations, this unglamorous everyday gesture speaking volumes about the comfort this husband and wife feel around one another. The camera follows him around their New York apartment, entering the master bathroom, where she sits on the toilet, door ajar. The pair are getting ready for a formal event. He’s just this lazy stoner.’ Angus doesn’t get enough credit.In the opening scene of “Eyes Wide Shut,” Stanley Kubrick introduces the married couple played by then-married couple Tom Cruise and Nicole Kidman via a 60-second Steadicam shot. “Euphoria” casting director Jennifer Venditti also said, “People think, ‘Oh, he just shows up. “It does bother me,” Cloud added, “when people are like, ‘It must be so easy! You get to go in and be yourself.’ I’m like, ‘Why don’t you go and do that?’ It’s not that simple. Last year, Cloud was an honoree at Variety’s annual Power of Young Hollywood event and recalled being plucked off the street to star in “Euphoria.” Cloud’s role as Fez was his first acting job. ![]() Cloud also starred in various music videos such as Noah Cyrus’ “All Three,” Juice WRLD’s “Cigarettes” and Becky G and Karol G’s “Miamiii.” He was recently cast opposite Melissa Berrera in a new horror movie at Universal Pictures from “Scream 6” directors Matt Bettinelli-Olpin and Tyler Gillett. His other acting credits included the films “North Hollywood” (2021) and “The Line”” (2023). We ask for privacy at this time as we are still processing this devastating loss.”Ĭloud rose to prominence playing Fez on HBO’s Emmy-winning teen drama series “Euphoria.” He was a main character on the show’s first two seasons. The statement continued, “We hope the world remembers him for his humor, laughter and love for everyone.
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